The exhibition aims to present in detail these years that were the laboratory of his work, by restoring the artistic and intellectual context on which both nourished each other.
The exhibition "Jackson Pollock: The Early Years (1934-1947)" revisits the early career of Jackson Pollock (1912-1956), marked by the influence of regionalism and Mexican muralists, right up to his first drippings in 1947. This body of work, rarely exhibited for its own sake, bears witness to the diverse sources that nourished the young artist's research, crossing the influence of native American arts with that of the European avant-gardes, among which Pablo Picasso figures prominently. Compared to the Spanish painter and the great names of European painting by the critics, Pollock was quickly established as a true monument of American painting, and in so doing, isolated from the more complex networks of exchanges of influences that nourished his work during his New York years. The exhibition aims to present in detail these years, which were the laboratory for his work, by restoring the artistic and intellectual context from which both were nourished.
The exhibition focuses on several key moments in the young Pollock's artistic and intellectual development during these years of experimentation. By calling on key figures in his artistic career (Charles Pollock, William Baziotes, Lee Krasner, André Masson, Pablo Picasso, Janet Sobel...), the exhibition highlights the intensity and singularity of his work in its various dimensions (painting and working with materials, printmaking, sculpture).
The exhibition features some one hundred works from prestigious international institutions such as New York's Museum of Modern Art, the Metropolitan Museum of Art, the Centre Pompidou, the Tate and the Stedelijk Museum.
Learn more here.
Cover image:
The Moon Woman, 1942
Oil on canvas
69x43 inches
