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ArtNet: Meet Surrealist Gertrude Abercrombie, the ‘Jazz Witch’ Who Captivated the Art World
February 11, 2025 'The Whole World Is a Mystery' at the Carnegie Museum of Art marks the first retrospective look at the artist... Read more -
Forbes: Malta’s New MICAS Contemporary Art Museum Dazzles
January 31, 2025 by John Oseid Jan 31, 2025 The announcement of a new art museum opening is always great news. It’s always... Read more -
Apollo Magazine: Art gets a permanent home in Malta
December 19, 2024 By Elise Morin 19 December 2024 Until a few weeks ago, there wasn’t much of a contemporary art scene in... Read more
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The New York Times: Art Deco’s Bad Girl, Still Ahead of Her Time
November 7, 2024 CRITIC’S PICK By Walker Mimms Nov. 7, 2024 Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing... Read more -
The Guardian reviews Milton Avery: American Colourist
★★★★★ July 17, 2022 Milton Avery: American Colourist review – pure, exhilarating uplift ★★★★★ By Laura Cumming The self-effacing late starter and mentor to... Read more -
The Financial Times reviews Milton Avery: American Colourist
July 15, 2022 Space is airy and open, the cast list domestic and unheroic, a piercing sun or subdued lamplight in cosy interiors... Read more
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The Guardian reviews Milton Avery: American Colourist at the Royal Academy of Arts
★★★★★ July 12, 2022 'To see this art so closely related to abstract expressionism yet rooted in nature opens a new vista on American... Read more -
Laura Freeman reviews Milton Avery: American Colourist for The Times
★★★★★ July 12, 2022 'He was America’s first great modern colourist with a bracing, racing-silk palette.' “There have been others in our generation... Read more -
The Telegraph reviews Milton Avery
★★★★ July 12, 2022 Milton Avery: American Colourist, review: The 20th-century colossus you’ve probably never heard of By Cal Revely-Calder 12 July 2022... Read more
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The Art Newspaper features Milton Avery: American Colourist and talks to exhibition curator Edith Devaney
July 12, 2022 “You always feel better after looking at a Milton Avery painting,” says Edith Devaney, the curator of the first comprehensive... Read more -
‘Rothko’s guru: how Milton Avery transformed modern art’
The Telegraph previews Milton Avery: American Colourist at the Royal Academy of Arts July 6, 2022 The story of how Milton Avery came to shape modern American art is really a love story. It begins in... Read more -
Milton Avery featured in The Observer’s best summer culture guide
Laura Cumming selects Milton Avery's upcoming exhibition at the Royal Academy of Arts for The Observer's best summer culture guide. May 30, 2022 'Gentle, unassuming, with his outstanding gift for colour and his simplified grace, Milton Avery (1885-1965) is a singular master of... Read more
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The New Yorks Times reviews the work of Milton Avery
Roberta Smith takes a look at the work of Milton Avery, which is currently on view in Hartford and New York. May 12, 2022 'He remained a singular hybrid, who never settled into any niche, but constantly circulated, combining different ratios of cartooning, folk... Read more -
The Washington Post reviews Milton Avery
March 16, 2022 Milton Avery was the 20th century’s great ‘painter’s painter’ America’s most original colorist, the subject of new retrospective at the... Read more -
The WSJ reviews Milton Avery
December 9, 2021 ‘Milton Avery’ Review: A Luminary Outside the Mainstream The painter’s first retrospective since 1982 reveals the genius in his formal... Read more
![Milton Avery Seaside, 1931 Oil on canvas 81.3 x 101.6 cm 32 x 40 in © [2022] The Milton Avery Trust](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/ws-waqaswajahat/usr/images/news/main_image/7/mta52-image.jpg)
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Milton Avery At The Royal Academy of Arts
February 21, 2019 The Royal Academy of Arts announces its 2022 programme, featuring the major exhibition Milton Avery: American Colourist The first comprehensive... Read more -
The New York Times: This Surrealist Is Having a Moment, 66 Years After Her Last New York Show
August 30, 2018 By Roberta Smith Aug. 30, 2018 With nearly 70 paintings and a four-and-a-half-pound book, the exhibition “Gertrude Abercrombie” reintroduces New... Read more -
The New York Times: Sally Michel, Landscapes of Color and Texture
January 14, 2016 By Roberta Smith Jan. 14, 2016 Without Sally Michel there would have been no Milton Avery, or at least not... Read more
